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    <lastmod>2025-03-21</lastmod>
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      <image:title>Home - How I Work/What I Do</image:title>
      <image:caption>Initiate, research, and develop creative projects which effect change Curate and produce exhibitions with artists and partners Mentor artists to have ambitious, sustainable practices Work with organisations and businesses to understand, develop and evaluate their creative and strategic direction or project Design and deliver training for a broad range of organisations including art schools universities and strategic agencies funding bodies</image:caption>
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      <image:caption>Our Precarious State (In Development) A Woman’s Place (South East &amp; Knole) 2016 - 2018 Liberties 2015 - 2017</image:caption>
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    <lastmod>2025-03-21</lastmod>
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      <image:caption>Portrait @sarahweal</image:caption>
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    <lastmod>2021-05-14</lastmod>
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    <lastmod>2021-06-09</lastmod>
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  <url>
    <loc>https://www.lucyday.co.uk/the-commercial-gallery</loc>
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      <image:title>The Commercial Gallery + Commercial Too - Commercial Too</image:title>
      <image:caption>Commercial Too was the generic name for a series of large-scale offsite exhibitions in temporary unused office and warehouse spaces. These included the infamous WheNever at Commercial Too, Greatorex Street London E1, sited in the former offices of the Federation of Jewish Synagogues and Kosher Luncheon Club. Artists were invited to create works throughout the different spaces, with a series of openings taking place during May – July 1997. A total of 58 artists exhibited work, including Heather Allen, Stuart Brisley, Keith Ball, Richard Ducker, Nicky Hirst, Tina Keane, Christiana Protto, Joshua Sofaer and Terry Smith, Throughout 1998 Keith and I, as Commercial Too, concentrated on the production of ROOT, launched on 16 October 1998, with Jon Tye from Lo Recordings in association with Thurston Moore from Sonic Youth . The project involved an exhibition at Chisenhale Gallery, London, and CD of work by leading contemporary artists and musicians including Angela Bulloch, Gavin Turk, David Bowie and Blur. As well as the exhibition (which attracted 800 people to the preview and approximately 1,000 in the two week period that it was open to the public), ROOT also held a club night at the Spitz, E1 and The Art of De-Construction, an evening of live electronics at the Lux Cinema, N1.</image:caption>
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      <image:title>The Commercial Gallery + Commercial Too - The Commercial Gallery</image:title>
      <image:caption>The Commercial Gallery was an artist-led space, part of Spitalfields Arts Projects, set in pre-developed Spitalfields Market and ran from 1995 - 1999. The space offered a platform for solo shows by unrepresented artists. Artists who showed there included Cedric Christie, Almuth Tebbenhoff, Jamie Wagg, Clem Crosby, Marion Coutts, and Martin Fletcher In 1996 we hosted the sculpture section of the Whitechapel Open 96, selected by Keith Ball, Richard Wentworth and Alison Wilding across both The Commercial Gallery and Commercial Too at Folgate Street, including works by Terry Smith, Ana Genoves, Keith Wilson and Janette Parris.</image:caption>
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      <image:title>The Commercial Gallery + Commercial Too</image:title>
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      <image:title>The Commercial Gallery + Commercial Too</image:title>
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      <image:title>The Commercial Gallery + Commercial Too</image:title>
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      <image:title>The Commercial Gallery + Commercial Too</image:title>
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      <image:title>The Commercial Gallery + Commercial Too</image:title>
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      <image:title>The Commercial Gallery + Commercial Too</image:title>
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    <lastmod>2021-07-05</lastmod>
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    <loc>https://www.lucyday.co.uk/what-i-do2</loc>
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    <loc>https://www.lucyday.co.uk/what-i-do2/consultancy</loc>
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    <lastmod>2021-04-05</lastmod>
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      <image:caption>Tod Hanson etc</image:caption>
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    <lastmod>2021-04-12</lastmod>
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      <image:title>What I Do - Curating</image:title>
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      <image:title>What I Do - Curating - A Woman’s Place Projects</image:title>
      <image:caption>A catalyst and umbrella for cultural projects and advocacy where equality provides the contextual backbone</image:caption>
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      <image:title>What I Do - Curating - Day+Gluckman</image:title>
      <image:caption>Between 2006 and 2016 Eliza Gluckman and I curated over 30 exhibitions. We programmed and curated Collyer Bristow Gallery, London 2007 - 2015. We worked with more than 200 artists, arts and heritage organisations including: The National Trust V&amp;A Plymouth Museum and Gallery Newlyn Art Gallery and The Exchange Danson House (Bexley Heritage Trust) Canal and Rivers Trust.</image:caption>
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      <image:title>What I Do - Curating - Commercial Gallery /Commercial Too</image:title>
      <image:caption>The Commercial Gallery was an artist-led space, part of Spitalfields Arts Projects, set in the pre-developed Spitalfields Market. It ran from 1995 - 1999 and offered a platform for solo shows by unrepresented artists. Commercial Too was the generic name for a series of large-scale exhibitions in the temporary unused office and warehouse space. These included the infamous WheNever at Commercial Too, Greatorex Street London E1, sited in the former offices of the Federation of Jewish Synagogues and Kosher Luncheon Club.</image:caption>
    </image:image>
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      <image:title>What I Do - Curating - Present Tense 2017 Guest Curator Present Tense, Phoenix Gallery, Brighton</image:title>
      <image:caption>An exhibition of works that explored disrupted space: cultural, political, emotional and physical. Selected from Phoenix Brighton studio artists.</image:caption>
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    <loc>https://www.lucyday.co.uk/what-i-do2/artist-organisation-development</loc>
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    <lastmod>2021-04-05</lastmod>
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